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results 101-118 of 118 item(s)  page 6 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next
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 Image: Title: Description:
101. [Bookplate for Stanley Harrod by S. Harrod] [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.
102. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.
103. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.
104. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
105. [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.
106. [Bookplate for University of British Columbia and Alice Ravenhill] [Bookplate for University of British Columbia and Alice Ravenhill] Black ink on white paper. The bookplate features a border consisting of several black lines with X designs in the corners. There is the University of British Columbia crest. The chief has a dark background and features an open book with its straps lying out. The university motto is printed in stylized black font on the book’s open pages. The bottom section of the map was alternating black and white lines. From the bottom of the shield is part of a sun with its rays extending upwards. The sun is charged with black dots. To the right of the shield is stylized gothic text in large, black font. Below it is text printed in smaller, cursive, black font. At the bottom of the bookplate is smaller text printed in the gothic, black font with dotted lines next to the words.
107. [Bookplate for W. J. Diamond] [Bookplate for W. J. Diamond] A simple border of lines and leaves surrounds the text. Each line of text is printed in a different font. Each line is also separated by a simple illustration.
108. [Bookplate for W. J. M. Jones] [Bookplate for W. J. M. Jones] The book plate owner's name and city are printed in black ink on cream paper in one script-style font.
109. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back.
110. [Bookplate for William Greig] [Bookplate for William Greig] Black ink on yellow cardstock. The central image is of a tonsured, hooded monk writing at desk covered with open books and papers. The monk sits facing to the left, holds a stylus with his right hand and grasps his chin with his left hand. The image is framed in a thin double-line border with curled corners on the right side. The left side of the border is decorated with an ornate pattern of stylized, scrolled leaves. The text is written above and below the image of the monk in Gothic font.
111. [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] Brown ink on cream paper. The bookplate has a perforated border with rounded corners. At the top left and right corners are flowers with four square petals and five leaves extending below. The floral decorations are quite simple, featuring only small lines. Between the two flowers is curling text in sentence case followed by five leaves with stems curling to the left and the tip of the leaves curling to the right. In the centre of the bookplate an open book. The book has enforced corners and a clasp on the cover. On the open left page is a griffin rampant on a crest-wreath. On the open right page is a cat sitting on a crest wreath. A link from a chain extends from the base of the book’s spine to attach to a sign with a thick white border. Atop a speckled background is capitalized and lower case font with stylized serif accents. Two links of chain are attached to this sign from below in the left and right corners. Between the chains are stylized curling, accents meeting in a decorative feature in the centre with a leaf extending downwards. Text is printed on the left and right hand side of the leaf. There is a handwritten note in pencil in the bottom right hand corner.
112. [Bookplate for William Henderson] [Bookplate for William Henderson] Black ink on white paper. Crest features a right hand extending straight out of crest-wreath. The hand clutches a black star fish by one tentacle. The shield is divided per pale with a chief that is also divided in two sections. The top left section is argent and charged with two black elaborate ermine/fleur-de-lis shapes on either side of a black crescent that is almost a full circle. The black crescent has a line in the middle dividing it into two smaller half-moon crescent shapes. The bottom right section is argent and charged with a larger version of the crescent shape. The top right corner is sable and charged with three white five-point stars. The bottom left section has a strip along the left edge of the shield that is argent with sable dots. Next to that is a sable section upon which overlaps three white triangles that extend horizontally from the central dividing line on the shield. Below the shield, there is a curling ribbon with shading on the ends. The motto is printed on the ribbon in capitalized, black, serif font. Below the ribbon is the bookplate owner’s name printed in larger, capitalized, black, serif font.
113. [Bookplate for William Swift Keyser] [Bookplate for William Swift Keyser] Black ink on cream paper. The crest features an esquire helm with elaborate mantling extending out along both sides of the bookplate. Extended, feathery wings rise out of the top of the helm. The helm sites directly on the shield, which is divided per pale and per rounded chevron. The three parts of the shield are different colour. The upper left portion is argent, the upper right side portion has vertical sable lines, and the rounded bottom portion has horizontal sable lines. Sitting atop the rounded bottom portion is a king. The man is sitting cross-legged and holds a sword in his left hand and a rounded vessel with a cross on top in his right hand. The man is wearing a crown and a cape. He has long hair and a small beard. Below the shield, the bookplate owner’s name is printed on a curling ribbon in capitalized, bold, serif font. Underneath the ribbon, text is printed in sentence case, thin, cursive font followed by a line of small black dots. There is a black ink smudge on the bottom right corner of the bookplate.
114. [Bookplate] [Bookplate] In black ink on thin paper, a triangle surrounds a five-pointed star and the words, 'EX-LIBRIS,' written in a sans serif font. Below the triangle, the name 'Paul' is written in a serif font.
115. [Bookplate] [Bookplate] In brown ink on white or cream paper, the bookplate consists of a thin border surrounding brown text, with the name of the company/library in a Roman-style font.
116. [Bookplate] [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858.
117. [Bookplate] [Bookplate] A stylized floral border surrounds the text, which is written in several different fonts and is found in the middle of the bookplate. The word 'Catholic' is written in a curly font with the words 'Circulating Library' printed in Gothic below. The book number is printed underneath, and there is a line dividing the upper part of the text from the middle, which lists the library rules. Below the library rules is another line, and below this is a hand symbol which points to further information on the library hours. The cost of subscription is given in cents, dating this bookplate after 1858, the year in which currency decimalization came into force in Canada.
118. [Bookplate] [Bookplate] Five lines of text enclosed within a double border of one thick and one thin line. The words 'Cote St. Antoine' are written in a slightly curled font, and the words 'Methodist S.S. Library' are in bold. There is a space for the number of the book to be written in by hand. The bookplate also includes the terms of borrowing.
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results 101-118 of 118 item(s)  page 6 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next
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